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Реферат: John Keats Biographical Speech And Poen Analysis

Название: John Keats Biographical Speech And Poen Analysis
Раздел: Топики по английскому языку
Тип: реферат Добавлен 15:42:56 08 ноября 2010 Похожие работы
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Essay, Research Paper

English Literature Biographical Speech

Keats, John (1795-1821)

English poet, one of the most gifted and appealing of the 19th century and a seminal figure of the romantic movement.

Keats was born in London, October 31, 1795,and was the eldest of four children. His father was a livery-stable owner, however he was killed in a riding accident when Keats was only nine and his mother died six years later of tuberculosis. Keats was educated at the Clarke School, in Enfield, and at the age of 15 was apprenticed to a surgeon. Subsequently, from 1814 to 1816, Keats studied medicine in London hospitals; in 1816 he became a licensed apothecary (druggist) but never practiced his profession, deciding instead to be a poet.

Early Works

Keats had already written a translation of Vergil’s Aeneid and some verse; his first published poems (1816) were the sonnets “Oh, Solitude if I with Thee Must Dwell” and “On First Looking into Chapman’s Homer.” Both poems appeared in the Examiner, a literary periodical edited by the essayist and poet Leigh Hunt, one of the champions of the romantic movement in English literature. Hunt introduced Keats to a circle of literary men, including the poet Percy Bysshe Shelley; the group’s influence enabled Keats to see his first volume published, Poems by John Keats (1817). The principal poems in the volume were the sonnet on Chapman’s Homer, the sonnet “To One Who Has Been Long in City Pent,” “I Stood Tip-Toe upon a Little Hill,” and “Sleep and Poetry,” which defended the principles of romanticism as promulgated by Hunt and attacked the practice of romanticism as represented by the poet George Gordon, Lord Byron.

Keats’s second volume, Endymion, was published in 1818. Based upon the myth of Endymion and the moon goddess, it was attacked by two of the most influential critical magazines of the time, the Quarterly Review and Blackwood’s Magazine. Calling the romantic verse of Hunt’s literary circle “the Cockney school of poetry,” Blackwood’s declared Endymion to be nonsense and recommended that Keats give up poetry.

Last Works

In 1820 Keats became ill with tuberculosis. The illness may have been aggravated by the emotional strain of his attachment to Fanny Brawne (1801-65), a young woman with whom he had fallen passionately in love. Nevertheless, the period 1818-20 was one of great creativity. In July 1820, the third and best of his volumes of poetry, Lamia, Isabella, The Eve of St. Agnes, and Other Poems, was published. The three title poems, dealing with mythical and legendary themes of ancient, medieval, and Renaissance times, are rich in imagery and phrasing. The volume also contains the unfinished poem “Hyperion,” containing some of Keats’s finest work, and three poems considered among the finest in the English language, “Ode to a Grecian Urn,” “Ode on Melancholy,” and “Ode to a Nightingale.”

Death

In the fall of 1820, under his doctor’s orders to seek a warm climate for the winter, Keats went to Rome. He died there February 23, 1821, and was buried in the Protestant cemetery. Some of his best-known poems were posthumously published; among them are “Eve of St. Mark” (1848) and “La belle dame sans merci” (The Beautiful Woman Without Mercy; first version pub. 1888). Keats’s letters, praised by many critics as among the finest literary letters written in English, were published in their most complete form in 1931; a later edition appeared in 1960.

Although Keats’s career was short and his output small, critics agree that he has a lasting place in the history of English and world literature. Characterized by exact and closely knit construction and by force of imagination, his poetry gives transcendental value to the physical beauty of the world. His verbal music is well suited to the unique combination of romantic sentiment and classical clarity his work expresses.

JOHN KEATS (1795-1821)

WHEN I HAVE FEARS THAT I MAY CEASE TO BE

1 When I have fears that I may cease to be

2 Before my pen has glean’d my teeming brain,

3 Before high-piled books, in charactery,

4 Hold like rich garners the full ripen’d grain;

5 When I behold, upon the night’s starr’d face,

6 Huge cloudy symbols of a high romance,

7 And think that I may never live to trace

8 Their shadows, with the magic hand of chance;

9 And when I feel, fair creature of an hour,

10 That I shall never look upon thee more,

11 Never have relish in the faery power

12 Of unreflecting love;–then on the shore

13 Of the wide world I stand alone, and think

14 Till love and fame to nothingness do sink.

The poem “When I have fears that I may cease to be” is not one of Keats most famous poems. The poem itself is believed to have been written on Jan 31, 1818 because it is said to have been sent to Reynolds in a letter dated Jan 31, 1818.

Even though the poem is a very simple poem it is very effective in delivering Keats’ message. Through the great use of the poetic technique of imagery Keats simply delivers his thoughts on life and the fears he has of death.

In conclusion, in my opinion even though this is not one of John Keats’ most famous or complex poems it is definetly a poem which outlines Keats’ great ability as a poet and his ability to create romantic writings.

368

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